*
Tolkien, in his writing, left out a lot of detail, and many of the elements of his world are left ambiguous, seemingly quite deliberately. For instance, we do not know how much "magic" there is in his world, but we do know there is some. We know that Arda contains a number of fantastical creatures that do not exist on Earth, and that some of these creatures (Wargs, Great Eagles) can and do occasionally associate with the major races, but again, we do not know how many creatures like this there are or how often the races have them as friends or allies.
I have spoken with a number of other Tolkien scholars, and we have generally come to the agreement that Tolkien deliberately left these elements ambiguous. As we all know, Arda is spoken of in the prologue of LotR as being a prehistory to the reader, that it will one day become a world verymuch like our own (although with a few oddities like the iron age being much earlier and several New World plants in the Old World). As we also know, magic does not exist in our universe, or, if it does, it is so rare that no verifiable case of it has ever been described, and Tolkien wanted to draw a picture of Arda as a more fantastical prehistory to our own, but still believably our own world, with the great artifacts and characters being tied up in destiny rather than having specail powers. Alternatively, Tolkien wanted to write a fantasy, a story set in what he called Farae, a mythical or imaginary world in which what we would call magic is not only real but need not even be that rare. Thus, to allow both interpretations in the same story, Tolkien left it ambiguous: for instance, is Anduril truly a powerful artifact weapon that gives off holy flame when smiting Orcs (as the description in Moria implies, but is not explicit), or is it just destined?
This ambigity has led to what could be considered two schools of thought on how to visualize Tolkien for other media, including fan fiction, movies, computer games, pencil-and-paper RPGs, and so on. In reality, these two camps are really just the endpoints of a spectrum, not discrete entities, although they frequently seem to polarize in discussions. They are:
-The Tolkien Purists (self-named), who are of the opinion that nothing outside of the books
should be included, and therefore remove fantastical elements not explicitly described
in the books;
-The Tolkien Completists (whom I name now), who are of the opinion that Arda is a rich
world with many elements alluded to but not explicitly described in the books, and
therefore add and include fantastical elements not explicitly described in the books.
It is my general observation that most heavy Tolkien readers (those who routinely go beyond The Hobbit and Lotr), seem to be of the Purist venue, or at least, I am a Completist relative to most other people who really enjoy and read a lot of Tolkien. Certainly this appears to be true of the people making The Last Alliance. There is nothing wrong with this, and indeed I myself have come to enjoy multiple different interpretations, some relatively Purist and some relatively Completist (although some of the assumptions of fundamentally Christian theology behind some of it bugs me for various reasons).
This may give some background about the way that I think about Tolkien's world, for instance, trying to envision the characters he never describes (the soldiers' wives that I brought up earlier being a prime example).
General thoughts? Are you a Purist or a Completist (or a moderate)?
(p.s. I am not complaining, as I understand the sentiments. I'm just stating.
This post has been edited by Beren IV: 28 July 2005 - 11:14 PM

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